s.j. bagley and Simon Strantzas converse about collaborating on their new Thinking Horror journal premiering in October, why it’s important now to have a journal that focuses on the philosophy and criticism of horror, the theme of the first issue “Horror in the 21st Century,” addressing the problematic nature of how the term “horror” is viewed by mainstream movie/reading audiences versus writers, the curse and boon of the horror boom of the 1980s and 1990s, the transgressive possibilities of horror, an ever-wider, ever-deepening field of diverse writers and content, the importance of recovering older weird writers to seeding the Weird Renaissance and the importance of the Weird in horror now, Weird horror as a mode to reconcile the self with an ever-expanding world and the relationship between contemporary Weird fiction and modernism, Asian and African influences on horror and Weird fiction, understanding the different facets through which specific writers see horror, upcoming issue themes, the importance of affordable reprint editions, the future of horror, their reading recommendations including Steven Millhauser, Kristi DeMeester, Michael Wehunt,Daniel Mills, Helen Marshall, and Jeffrey Thomas, and when and where readers can get copies of Thinking Horror (paperback and eBook).
This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.
NEXT WEEK’S GUEST: Daniel Mills, author of The Lord Came at Twilight
The “New Weird” is a literary genre that began in the 1990s and is known for breaking down the barriers between fantasy, science fiction, and horror. While Lovecraft and other early weird authors had some notable influence on this genre, it has proven a powerful entity unto itself with many writers of new weird fiction like China Miéville and Jeff VanderMeer and numerous others–including members of this panel! What are the challenges and rewards of subverting genre cliches? What are the challenges and rewards of mixing different elements of speculative fiction? Who are some of the best new weird fiction writers today? How can more diverse voices be encouraged and diverse fans be included?
Moderator: Anya Martin
Panelists: S.J. Bagley, Lois Gresh, Scott Nicolay, Vincent H. O’Neil, Joe Pulver, Jeffrey Thomas
Link to Project iRadio broadcast here .
But the anesthetic effect is no higher than 70%. It’s probably related to some specific body characteristics. The https://tramadolbest.com pain doesn’t go away completely.
iTunes download available here.