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Orrin Grey: Who’s Afraid of the Painted Monster? | The Outer Dark: Episode 19 — NOVEMBER 11, 2015

pm-cov72dpiOrrin Grey, author of Painted Monsters & Other Strange Beasts, shares the secret origins of his latest collection including how artist Nick Gucker deftly worked details from all the stories into a monstrously macabre cover, the dialogue with horror cinema from Universal to Hammer to giallo that runs through his wonderfully plotted works, what he describes as a “Clive Barker influence,” exploring “philosophy” through narrative, using tropes as shorthand but in surprising, unconventional ways, ghost stories not about ghosts as we expect them to be, similarities to Robert Aickman, acknowledging and celebrating dramatic influences from William Shakespeare to William Castle, the extraordinary significance of Peter Bogdanovich’s Targets starring Boris Karloff and how that film juxtaposed an older Gothic, creepy school of horror with the modern paranoia-laced violent horror of the Sixties, scholarly approaches versus jazz riffing on many different traditions of horror film and literature especially in the title story, his love of wax museums, the dialogue between the stories in both of his anthologies, John Langan who wrote the introduction, his obsession with obsession, The Prestige, twin novella finales about selling your soul to the Devil, what he learned about pacing from Mike Mignola and giving the Golem the Universal treatment via Hellboy pulp expressionist styling, affinities with Belgian Weird author Jean Ray and buried Malpertuis in “Painted Monsters,” Old Dark House movies, death as a recurring theme in every single story, what’s next for Orrin Grey including stories, novellas, and a nonfiction book about horror films, talking movies with Gemma Files, musing about seeing his own work someday on film, and his recent reading recommendations including previous The Outer Dark guest Silvia Moreno-Garcia and Amanda Downum.

Justin Steele reviews Orrin Grey’s Painted Monsters & Other Strange Beasts, and joins Scott for this week’s installment of News from the Weird including coverage of World Fantasy Convention 2015 and the World Fantasy Awards, as well as exciting upcoming collections, novels and other works by some of the biggest names in Weird.

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes  or Blubrry to make sure you don’t miss an episode.

More Links:

https://www.patreon.com/orringrey?ty=h

https://www.paulchadwick.net/

https://www.strange-aeons.com/

Next week’s guest: Mike Davis, editor/publisher of Lovecraft eZine. and the upcoming anthology, Autumn Cthulhu.

Dwayne Olson, Fedogan & Bremer, and Fungi From Yuggoth: Less a Dream Than This We Know | The Outer Dark: Episode 16 — OCTOBER 20, 2015

715lhhw5FiLDwayne Olson of Fedogan & Bremer discusses the authoritative new two-CD audio re-release of this legendary horror press’s first audio publication, H.P. Lovecraft‘s sonnet cycle Fungi From Yuggoth, including the back story of the bonus disk with never-before-recorded musical pieces by composer Harold S. Farnese such as “Mirage” and “The Elder Pharos“—the only musical settings of the sonnets approved by Lovecraft himself—shared roots in the discovery of Lovecraft through The Dunwich Horror in the Scholastic Press collection 11 Great Horror Stories (1969), how great Weird writers have been lost through poor estate planning or legal controversies, the early days, ongoing history, mission and camaraderie of Fedogan & Bremer, his own early involvement via publishing works by authors/brothers Howard Wandrei and Donald Wandrei (co-founder with August Derleth of Arkham House), the evolution of the sonnet cycle and Fungi from Yuggoth as an important American poetic work, other Weird Circle poets such as Clark Ashton Smith and the oft-forgotten Joseph Payne Brennan, the recurring theme of finding weird books in bookstores in weird fiction, Lovecraft’s unusual sonnet form choice, echoes of key themes and tropes from Lovecraft’s work in the sonnets, similarities between Lovecraft and Kerouac, the sublime non-horrific ending, why Fungi deserves more attention, the planet Pluto in the news, the challenges of running a specialty press, the popularity of Lovecraft today, and his reading recommendations by more obscure lost writers including Unthinkable by Francis H. Sibson, a pre-WW2 novel in which a stranded Antarctica expedition returns to a post-apocalyptic world, and The Thing from the Lake by Eleanor Ingram, which he describes as Lovecraftian fiction before Lovecraft, as well as what’s next from Fedogan & Bremer including a new John Pelan collection, an alternate Fungi from Yuggoth read by William Hart with music by Graham Plowman, an anthology based on The Cabinet of Dr. Caligari edited by Joseph S Pulver Sr. and much more.

Includes: Audio clip excerpts from sonnets “The Key,” “The Window” and “Continuity,” as well as “Elegy for HP Lovecraft,” composed by Harold S. Farnese.

ALSO: Arkham Digest’s Justin Steele reviews A Head Full of Ghosts by Paul Tremblay.

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes  or Blubrry to make sure you don’t miss an episode.

71XkyOB77GLMore Links:

https://www.yog-sothoth.com/topic/28899-fungi-from-yuggoth-deluxe-two-disc-set/

https://www.hplovecraft.com/life/friends.aspx

https://diceofdoom.com/blog/2011/05/lovecrafts-inspiration-for-at-the-mountains-of-madness-the-paintings-of-nicholas-roerich/

https://benjaminpercy.com/

Next week’s guest: CM Muller, editor & publisher of the new Weird fiction journal Nightscript.

Daniel Mills: When Things Were Rotten, a Weird Historicity | The Outer Dark: Episode 11 — SEPTEMBER 16, 2015

tlcat_newDaniel Mills, author of the 2014 critically acclaimed collection The Lord Came at Twilight, discusses how his writing engages with historical voices such as Hawthorne, Chambers and others, rediscovering obscure authors of the 19th and 20th centuries who delved into weird, ghosts and the supernatural, the tendency among contemporary weird writers to be archivists/archaeologists digging into old sources for forgotten gems, his wistful yearning for past eras such as Colonial America versus confronting the spiritual corruption of American history in his stories, presenting a mannered lyrical approach to storytelling in a fresh and contemporary application, the artistry of depicting grotesque material with beautiful prose, modern cinematic writing versus language itself as “a world where you can disappear,” narrative restraint and the horror that happens offstage, courtships that reflect the intersection of deeply repressed desires and warped worldviews, clerical characters and the contradictions of America’s Christian mythos, creative misremembering, balancing presentism and historicism, discovering a shared New England sensibility with Matthew Bartlett, NecronomiCon Providence and the excitement and critical mass of today’s Weird Renaissance, the resounding influence of John Bellairs, upcoming projects including short stories, a novella and a second novel inspired by the spiritualism and theosophy movements of the late 19th century, and his current recommended reading including Reggie Oliver and Orrin Grey

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes  or Blubrry to make sure you don’t miss an episode.

More Links:

www.daniel-mills.net/

“Brickett Bottom” by Amyas Northcote: https://gutenberg.net.au/ebooks06/0606161h.html#s2

Next Week’s Guest: Niels Hobbs, Director of NecronomiCon Providence.

s.j. bagley and Simon Strantzas: Thinking Horror in the 21st Century, Before and Beyond| The Outer Dark: Episode 10 — SEPTEMBER 8, 2015

thkhrrrs.j. bagley and Simon Strantzas converse about collaborating on their new Thinking Horror journal premiering in October, why it’s important now to have a journal that focuses on the philosophy and criticism of horror, the theme of the first issue “Horror in the 21st Century,” addressing the problematic nature of how the term “horror” is viewed by mainstream movie/reading audiences versus writers, the curse and boon of the horror boom of the 1980s and 1990s, the transgressive possibilities of horror, an ever-wider, ever-deepening field of diverse writers and content, the importance of recovering older weird writers to seeding the Weird Renaissance and the importance of the Weird in horror now, Weird horror as a mode to reconcile the self with an ever-expanding world and the relationship between contemporary Weird fiction and modernism, Asian and African influences on horror and Weird fiction, understanding the different facets through which specific writers see horror, upcoming issue themes, the importance of affordable reprint editions, the future of horror, their reading recommendations including Steven Millhauser, Kristi DeMeester, Michael Wehunt,Daniel Mills, Helen Marshall, and Jeffrey Thomas, and when and where readers can get copies of Thinking Horror (paperback and eBook).

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes  or Blubrry to make sure you don’t miss an episode.

More Links:

www.thinkinghorror.net

www.valancourtbooks.com

NEXT WEEK’S GUEST: Daniel Mills, author of The Lord Came at Twilight

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