Robert Levy unveils and explores the secret origins of his novel The Glittering World from his own personal experiences in Cape Breton, Canada, or, in other words, “taking a great memory and completely destroying it,” similarities between the old lore behind fairies and alien abduction mythology, his ambivalence about but recognition of genre marketing in the publishing business, how a genre-defying and Weird first novel got placed with a major publisher, other authors like Jeff VanderMeer and Paul Tremblay who are breaking the Weird into big publishing, structural similarities in The Glittering World to two Alfred Hitchcock classics, the Weird’s transition from shorter modes into the novel, the short story and novels as different forms, how the book sheds its skin as the main characters unfold the narrative akin to a four-course meal, when the glitter fades–his exploration of transitioning from the club scene fantasy lifestyle to adulthood, the title’s unexpected relationship to the tradition of Navajo emergent/creation stories, altered states as a form of escape, insects, parallels to the iconic relationship in Wuthering Heights by Emily Bronte, his fascination with people who are “right on the edge of oblivion or failure,” a stolen paperweight and life as a bizarre sequence of coincidences, storytelling as one way we try to give our life meaning, choice as the “anxiety of freedom,” taking his time to write a novel, fiction as a diary, future works which might have something to do with cults and found manuscripts, and his reading recommendations of other contemporary writers to watch including Livia Llewellyn, Desirina Boskovich, Dale Bailey, and Molly Tanzer.
And Justin Steele joins Scott to review The Glittering World.
Book trailer: https://www.youtube.com/watch?v=A7RgOVF0XG0
Footage of the Fairy Hole cave: https://www.youtube.com/watch?v=FCZovMZlUas
Rear Window timelapse: https://vimeo.com/37120554