Scott Nicolay

Ana Kai Tangata

Tag: Cult Movies

Stories From the Borderland #1: “Slime” by Joseph Payne Brennan

slimeweirdtalesWho remembers Joseph Payne Brennan? Some of you I am sure, though not nearly as many as his work deserves. He merits a position in the lineages of Weird Horror analogous to those of David Goodis, Chester Himes, Jim Thompson, Dorothy B. Hughes, and Charles Willeford in Noir—a major practitioner of the form who arose in its postwar Silver Age. Stephen King remembers him, and has paid him homage in stories such as “Mrs. Todd’s Shortcut” and “The Raft.” Thomas Ligotti remembers him, and it becomes apparent in his verse—Brennan was perhaps the finest poet Weird Fiction ever had—yes, better for the most part than even Clark Ashton Smith, who had a tin ear (though “The Hashish Eater” is a masterpiece, no argument there). Continue reading

Small Press Publishing in the Weird Panel at HP Lovecraft Film Festival 2015 | The Outer Dark: Special Presentation — DECEMBER 1, 2015

TOD-SmallPressPanel-HPLFFDate: October 4, 2015, HP Lovecraft Film Festival, Portland, OR

Moderator: Andrew Fuller (Three-Lobed Burning Eye Magazine). Panelists: Ross Lockhart (Word Horde), Richard Lupoff (Ramble House, Surinam Turtle Press), Scott Nicolay (The Outer Dark), Rose O’Keefe (Eraserhead Press, Deadite Press, Fungasm Press), Kelly Young (Strange Aeons magazine)

Description: Panelists discuss everything that publishers face in this genre, including topics like “Where does the money come from?” “Building a table of contents” and “Print vs E-publication.”

Note: There are some sound issues at the very start due to people talking near the camcorder, with Rose and Ross particularly hard to hear, but this clears up after the first couple minutes, so please hang in.

An overarching Small Press Renaissance has been pivotal to the current Weird Fiction Renaissance. In this panel from the 20th annual HP Lovecraft Festival, editors and writers discuss trends in spec-lit small press publishing from the 1950s when Richard Lupoff started publishing fanzines to the present including technology advances in print-on-demand and ePublishing that have sped up and made production more affordable, how these changes have fueled the creative side to go “bonkers,” the collaborative process and freedom of small press publishing among editors, authors and artists, Scott Nicolay’s poetry small press roots, the Heavy Metal-inspired origins of Strange Aeons, Ross Lockhart’s road from reader to publisher, how Eraserhead Press started as a collective of authors and the birth of Bizarro as a publishing category, what’s changed in the kinds of stories editors are looking for, the market for publishing out-of-print spec-lit classics, the thrill of supporting a great author to get into print, demographic changes and connecting through social media with writers and readers, the small press boom creating a fertile ground across all literary categories, the driving force of a more diverse readership, the creation of opportunity due to current risk avoidance attitude of the big five houses, how technology is continuing to change at a fast pace, a DIY punk ethos, ongoing challenges and strategies for marketing and distribution, and what’s next!

Once I also bought it at https://tramadolhealth.com and tried to take Ultram, when I had terrible stomachache.

This archival episode will be available again at This Is Horror soon. In the meantime, subscribe at iTunes or Blubrry to make sure you don’t miss an episode.

More Links:

https://christopherconlon.com/

https://en.wikipedia.org/wiki/Gordon_Eklund

https://en.wikipedia.org/wiki/Malcolm_Jameson

https://en.wikipedia.org/wiki/Frank_Belknap_Long

https://lazyfascistpress.com/

Next guest on Dec. 3: Robert Levy, author of The Glittering World.

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